The five years I spent making records in London saw huge leaps in technology. From the four tracks I began with, we went to eight, then sixteen, each increase doubling the tape's width. Just before I left for California came the beginning of the decline: some bright spark figured out how to squeeze twenty-four tracks on to the two-inch tape that previously held sixteen. The reduction in track width significantly degraded the sound quality. A few young engineers today realize how great two-inch sixteen-track recording sounds.
From the Book White Bicycles: Making Music in the 1960s, London: Serpent's Tail, 2006, page 208, ISBN 1852429100
Copyright © 2006 by Joe Boyd
No. 39